As a result, we've included a comprehensive stills sample gallery to go along with our current video evaluations of the device. Plenty of professionals in the stratum below those who use Alexas as A-cameras would have loved to be able to take use of the extra features without having to give up their IS capabilities. To be quite honest, I believe a "regular sized" 10MP sensor with the extra adjustments, but without the bigger sensor, would have been a more successful product. In comparison to middle grey, it looks that V-Log has around one stop less headroom based on the ratio between Panasonic's V-Log ISO ratings and the actual sensor ISO ratings. As you would expect, when you're dealing about log gamma curves, the point at which the manufacturer defines "middle grey" might become quite arbitrary...

Because there is a 12-month gap between the GH5S and the GH5, we don't anticipate to see a significant technological difference between the two cameras. However, the younger GH5S will have an edge in sensor technology, which is particularly important. The GH5S also offers increased HD slow-motion capabilities, with the ability to capture full HD 1080p at an astonishing 240 frames per second! However, at 200fps and higher, there is a tiny cut in order to allow the camera to deal with the amount of data being produced.

However, after the light is collected by the sensor's pixels, it is processed by two analogue circuits to produce a digital signal, rather than one circuit as was the case with the GH5. Because of the reduction in pixel count, the GH5S will shoot still images at half the resolution of the GH5, but this reduction should result in improved video performance and low-light capabilities. Because of the difference in sensor between the GH5 and GH5S, even if the fundamentals of the cameras are relatively similar, the video and stills output from the two cameras is vastly different from one another. The GH series has always had a strong appeal to photographers who also shoot video, but the trend toward video is even more pronounced with this new model. Canon produced the 1D and subsequently the high-resolution 1Ds at the beginning of the professional digital SLR era, and this dual release continued for many years.

Following comments from video producers who said that IBIS may be influenced by micro vibrations while executing camera vehicle shots or other types of specialized filming, Panasonic came to this choice. Naturally, optical stabilisation using OIS lenses or the usage of a third-party gimbal are options, with the latter being a solution that many filmmakers have used successfully. One feature that distinguishes the GH5 II from the GH5s is the inclusion of in-body image stabilization (IBIS). While both the GH5 II and the GH5s lessen the danger of handshake-induced blur with all connected lenses, the GH5s does not provide any blur reduction when using lenses that do not itself feature optical image stabilization. Cameras may and do vary across a number of aspects in addition to their body and sensor.
This has left me feeling quite unhappy since my GH4 is growing old and I had planned on upgrading. In January, Panasonic verified recent speculations by officially launching the GH5S, which had a newly developed processor that performed better in low light than the previous generation. Panasonic also improved the GH5s by including Dual Native ISO, eliminating the 5-axis image stabilization featured in the GH5, and enabling the GH5s to shoot in 60p, despite the fact that both cameras can record in 4K DCI and UHD. The Ricoh GR IIIx and the original Ricoh GR III are so close in appearance that it may be difficult to tell them apart.
The physical sensor features and sensor quality results are summarized in the table below, and they are compared across a group of cameras that are comparable in design. Because of the variances, finding your particular favorite might be difficult, unless you have the opportunity to test both cameras. Caleb of DSLR Video Shooter was able to do this, and his video demonstrates the sensor capability of the GH5 and GH5S in a simple, but understandable, manner. Watch it below. According to previous remarks, some individuals want both high-quality still images and video for their setup, which is understandable. Unfortunately, I do not have the necessary information to do a comparison between the camcorder and the new Panasonic product.
The LCD panels of the Panasonic GH5S and Panasonic GH5 have the same diagonal size of 3.2 inches. Continue reading in order to have a better understanding of how the Panasonic GH5S and Panasonic GH5 compare and, ideally, to come up with enough reasons to help you determine which one is best for you.
Sony has released the Alpha 7, 7R, and 7S-series cameras in recent years, with the 7S being the video-capable model. Panasonic follows suit with the GH5S, which is geared squarely at videographers. Video photographers will find the GH5S to be the most natural option, since the camera has been developed specifically for video production, more so than any other Lumix model to yet.
For its part, the GH5 II receives new image profiles not present on the GH5S, including Cine-Like D2 and V2, Flat, L. Classic Neo, and L. APOTELYT.com may get a commission when you purchase anything after clicking on one of the links shown on this site. Neither the affiliate payment nor the amount that you are charged by the merchant will be affected by this payment. Any form or medium of reproduction in whole or in part, in any shape or media, is banned without prior written consent. Because of a problem with one of the telescope's onboard equipment, the Hubble Space Telescope is now in safe mode while engineers analyze the problem.
According to Panasonic, the GH5 II's battery lasts 400 photos on a single charge, while the GH5s can capture 440 photographs on only one charge of its DMW-BLF19 power pack. The vibrations you experience while mounting a GH5, for example, on a vehicle are most likely the most serious problem... However, I would want to see a possible GH5sB, which would have the same sensor as the GH5s but with IBIS as well.
In addition to the usual weather sealing, we can anticipate two memory card slots, a large amount of connection, and many of the features seen on earlier cameras. The new EVF might have a higher resolution (5.76M has been observed in other cameras, including Panasonic's own S1R and S1H), and the back screen could also have a higher resolution. Because the GH6 will have a new sensor as well as a new image processor, it is reasonable to anticipate a new version of Panasonic's DfD autofocus technology. In the meanwhile, please provide a studio scene comparison tool that allows me to readily compare video quality stills, since I can only locate it by clicking on a review that occurs to feature it.
As a result, the AF system on the GH5S is sensitive down to -5EV, while the AF system on the GH5 is sensitive down to -4EV. In terms of camera manufacturers releasing a S version, or even two distinct versions of the same model, Panasonic is not the first to do so. Instead of just having one native ISO setting of 400 like the GH5, the GH5S has two settings of 400 and 2500 like the GH5.